It could almost be read as a satirical parody, although this is not really my intention. Whether the source is recognisable is irrelevant: what does matter is the resonance. It borrows rather than alludes, evoking a certain 19 th Century European way of framing moments of historical significance, where key figures are actors on the world’s stage, supernaturally well composed, monumental and mythical. Everything about the source painting by E. Phillips Fox contains a familiar ideology, all about progress and destiny, the planting of flags and the arrival of legitimate historical narrative.
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